So, I've been having nightmares, and it likely has something to do with the latest story I've been working on. Though my regular readers might not suspect it, I have a secret lurve for the scary stuff--though certainly not all of it.
In fact, the first story I wrote that was accepted for publication was a vampire-ish piece about a destructive fling that starts with (consenting!) rough sex and ends with a little murder. It was hot yet challenging reading. My writing group was divided over it--the ladies loved it but the guys loathed it. Success, I thought! An anthology's editor (who was actually looking for disturbing, erotic vampire stories) also loved it, but trouble came to paradise when the publishers thought it was too much. Apparently, my idea of disturbing was too disturbing for them. They asked the editor to yank it (one of the nicest, most apologetic emails I've ever received). I was sad but happy, at the time. That story has yet to find a home (alas!), though I admit I'm hesitant to send it elsewhere.
Well, after a mess of whimsical stories (which have found homes) and some sad crime-type yarns (which have also found homes), I have delved once more into the dark place. Trying not to disturb, however.
I wanted to see if I could write a sex positive, erotic, scary story. I thought it would be simple. The story turned out to be a lioness, and this poor writer was an blissfully unaware antelope.
Really effective scary stories seem to rely heavily upon consequences. Sure, there are otherworldly intrusions into reality or crimes so horrible they cease to be "normal" and assume an almost otherworldly quality, but left to their own devices, these two descriptors could just as easily suggest fantasy stories. What sets scary stories (what some call horror) and fantasy apart for me, is not violence or nastiness (both of which appear in every other storytelling mode) but this notion of consequence or impact.
Now, a pair of examples--can you name the school of scary? Example 1: Long dormant supernatural eeevil has awakened, and the effect it has is a breaking down of the civilized mores/code of conduct (often in small towns). Example 2: Humanity builds a happy illusion about the way the universe runs, but when the Truth is revealed, humanity realizes its own insignificance and goes mad.
Now the relationship between sex and scares is pretty Puritanical. Slasher flicks and similar scare films make that abundantly clear, which is why so many of them are short sighted and kinda well boring. Even an otherwise enjoyable movie like Stir of Echoes cannot escape viewing sex as a pejorative term. However, that branch of horror fiction dubbed erotic horror also takes a page from this assumption. How many Hot Blood stories or hardcore horror novels can essentially be dropped into the "You had sex? Then die, Horny McHornykins!" chum bucket? A disproportionately large number. There are some writers who push past these limitations, but the sex-is-wrong/sinful/depraved trope is difficult to elude. If it's not up front in the cheap seats, it glares from the subtext. Ugh, I say. Ugh.
I wanted to make sex an integral part of my scary story, but I didn't want to fall into any sex-is-wrongwrongWRONG traps. I wanted to stay sex positive. Did I succeed? Hard to say. We'll see what the editor and publisher (and hopefully readers!) say.
However, I've been having nightmares about enclosed spaces and thunderstorms and running away from things no one was meant to know/see...as well as erotic dreams about mysterious lovers. Maybe that's a good sign?
So, how about it readers: what are your thoughts on dark fiction and sexy, scary stories? Any recommendations for sex positive spooky stories?
To get the ball rolling: Poppy Brite's Drawing Blood comes to mind--a sometimes sweet, sometimes terrifying m/m horror-romance. Joyce Carol Oates' modern gothic Beasts reveals a weird relationship between "sex as destroyer of innocence" and "sex as instrument of empowerment"....
I'm sure the list goes on. Help me out?
thoughtful
squeeee!





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